Aleesha Khan, who works on sexual violence and mental health in Singapore, talks about her life story, her activism, her work, and discusses some of the psychology of racism in Singapore.
Shaza Ishak, Managing Director of Teater Ekamatra (Singapore’s leading ethnic minority theatre company) talks about her life and the challenges she faced as a female Indian Muslim professional. She discusses Teater Ekamatra, minority representation, and its unique role in Singapore.
Devika Panicker, a survivor of sexual assault at 7 years old, discusses her life and journey as a survivor and advocate. She talks about the issues and challenges around sexual violence in Singapore, her career and advocacy, and her experience as an actress and Vasantham beauty pageant winner.
Heckin’ Unicorn sells subtle & unique LGBTQIA+ merchandise, such as enamel pins, socks, and notebooks, that allow people to express their identity. Its founder, Teo Yu Sheng, talks to PJ and Sean Francis about its origins, his journey, and how he reconciles capitalism and activism.
Min Cheong and Jufri Salim of the Singapore Democratic Party talk about why they decided to join politics, the SDP and their values and vision for Singapore, and the evolving challenges of politics in the country.
Musician and activist Subhas Nair talks about his new album, Tabula Rasa/Tak Boleh Rasa, its complex commentary of politics and society, and his decision to only sell his music via Telegram.
Jolene Tan, author of “After the Inquiry”, a new novel on censorship, propaganda, idealism, and everyday complicity in authoritarianism in Singapore, discusses with PJ Thum what her novel reveals about Singapore.
T. Sasitharan, former Artistic Director of The Substation (1996-2000) talks about its controversial eviction and impending closure, and broader problems with how the arts are controlled, funded, and censored in Singapore (to the country’s impoverishment).
Nur Friday talks to PJ and Sean about the ongoing controversy over Muslim women in frontline public sector roles not being allowed to wear the tudung, and in particular about the lack of female Muslim representation in policy making.
Kokila Annamalai talks about her life, her work and the theory and practice of activism: movement building, non-violent and restorative cultures, and community organising. She also discusses the death penalty, drug policy, and the legal/justice system.